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Classical concerts featuring
Alex Potter

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Upcoming Concerts

Concerts featuring Alex Potter in season 2024/25 or later

March 24, 2025
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Bach: Matthäus-Passion / Hans-Christoph Rademann

Mon, Mar 24, 2025, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Gaechinger Cantorey, Matthias Winckhler (Bass), Daniel Johannsen (Tenor), Miriam Feuersinger (Soprano), Alex Potter (Alto), Tobias Berndt (Bass), Lucy De Butts (Soprano), Tobias Knaus (Alto), Christoph Pfaller (Tenor), Martin Schicketanz (Bass), Hans-Christoph Rademann (Director)
In January 2023, the audience in the Elbphilharmonie responded to the performance of Bach’s St John Passion with the Gaechinger Cantorey with minutes of cheering. »There was a lot to celebrate«, commented Marcus Stäbler for the Hamburger Abendblatt at the time, citing the »eye for the big picture«, the »dense arc of tension«, the »sense of context« and the »flair for detail« in Hans-Christoph Rademann’s interpretation. Now the long-established ensemble of the International Bach Academy Stuttgart is returning to the Elbe with the St Matthew Passion. The monumental oratorio with nine soloists, two choirs and a double orchestra immerses the audience in a deeply spiritual, moving and poetic experience. Bach’s depiction of Jesus’ last hours offers a journey through the human soul in the spirit of the Protestant tradition of the time. He masterfully brings the sacred text to life with vivid harmonies and exquisite interplay between soloists and choirs. With a hand-picked choir, a first-class baroque orchestra and outstanding soloists, Hans-Christoph Rademann presents a renewed and faithful version of this highlight of vocal music of all time.
April 13, 2025
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J.S. Bach: Johannes-Passion

Sun, Apr 13, 2025, 20:00
Dorothee Mields (Soprano), Alex Potter (Counter tenor), Guy Cutting (Tenor), Johannes Kammler (Bass-Bariton), Reinoud Van Mechelen (Tenor), Krešimir Stražanac (Bass), Chor und Orchester des Collegium Vocale Gent (Ensemble), Philippe Herreweghe (Conductor)
Bachs Johannes-Passion ist ein einzigartiges Werk von erschütternder Expressivität. Wenn der große Bach-Interpret Philippe Herreweghe mit seinem Chor und Orchester des Collegium Vocale Gent und mit exzellenten Gesangssolistinnen und -solisten zur Tat schreitet, wird Bachs Musik in ihrer Substanz erlebbar.»In dieser Musik kommen Dinge zur Sprache, die bis dahin mit Tönen zu sagen niemand gewagt, niemand vermocht oder auch nur versucht hatte«, schrieb der Komponist Hans Werner Henze über Bachs Johannes-Passion. Als Pionier der historischen Aufführungspraxis hat Philippe Herreweghe einen besonderen Blick auf Bachs Musik, mit der er sich seit mehr als vierzig Jahren auseinandersetzt. Ihm zur Seite steht sein herausragendes Collegium Vocale Gent. Dorothee Mields, Reinoud Van Mechelen und weitere eindrucksvolle Stimmen bilden die illustre Solistenriege.
June 23, 2025
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Amsterdam Baroque Orchestra / Ton Koopman

Mon, Jun 23, 2025, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Amsterdam Baroque Orchestra & Choir, Hana Blažíková (Soprano), Alex Potter (Alto), Tilman Lichdi (Tenor), Klaus Mertens (Bass), Ton Koopman (Conductor)
Wait a moment, these are the first sounds of the »Christmas oratorio« which starts this concert in the middle of summer! Yes and no: Johann Sebastian Bach often ›recycled‹ his own music and used pieces he considered particularly successful, repeatedly in very different works. Ton Koopman, expert in historical Bach performance practice, has selected three secular cantatas by the Baroque master, which celebrate name-days and birthdays of the Saxon elector prince family and include so many well-known arias and chants. On these occasions, Bach did not set to music any sacred, but secular texts. Characters from classical mythology appear here, convey good wishes to the gods and praise them. For the composer, these compositions which were performed in the open air in beer gardens in summer and in coffee houses in the winter are part of his Leipzig engagements. Two of the cantatas even bear the subheading »Dramma per Musica« – festive miniature operas with virtuoso arias, studded with outstanding soloists. Ton Koopman, who is giving his Elbphilharmonie debut with this concert, is, with his Amsterdam Baroque Orchestra & Choir, one of the world’s best Bach interpreters, awarded with numerous prizes. The conductor, organist and harpsichordist fully dedicated himself to the composer: »To me, Bach is the most brilliant composer in the history of music! What affects me with Bach is the tremendous balance between sense and sensibility – his music goes straight to the heart. A day without Bach is inconceivable to me!«